From the beginning of the game when you enter the bustling Western town of Valentine, to the city streets and electric glow of Saint Denis, every detail, environment, and setting is meticulously crafted and offers a ton for the player to explore and interact with. By holding the L2 button (as we played on PS4) to focus on a specific person, object, or animal, Arthur has a range of options to interact with them, whether it’s to greet a traveler on the road, robbing a store clerk, picking up an object to observe it in greater detail, and yes, even down to petting a dog or brushing your horse’s coat. These types of interactions aren’t just limited to characters that are integral to the story; you can engage with pretty much any other person or animal that you find out in the world, and having that possibility to engage with NPCs in such a way adds so much to how far Rockstar has gone to make Red Dead Redemption 2 's world feel deep and tangible.
Red Dead Redemption 2 is a long game and there’s a lot to do in it. The main campaign alone, along with a good number of Stranger missions, took us just under fifty hours to complete, which is exponentially longer than its predecessor. That’s barely even participating in the various other activities, such as hunting, gambling, bounty hunting and more. The Stranger missions are one of the bigger draws as they are once again whacky, over-the-top scenarios that fill out the world. Arthur may not have the sarcastic, comical timing of John Marston, but he still lends to each situation with his confusion. Sadly, I never saw a damsel tied up on a railroad track that needed saving. Speaking of Stranger missions, you’re also able to make choices that may affect scenes in the main story. For example, I met one woman earlier in the campaign and she appeared as a prostitute later on, which lead to a bounty immediately put on my head. Another was a surprisingly lengthy scene with a nun who I randomly bumped into once, and Arthur opened up to her. Your choices through the campaign do hold some weight as they can affect where specific people end up in the future and might even expand upon Arthur’s character more.
But… we’ve been here before, haven’t we? It’s a recently-scribed tale as old as time: A sophisticated, wondrous looking trailer drops for an upcoming big-name title. Gamers then drop some serious coin on pre-orders for the game, only to be delivered a half-finished, buggy game that fails to meet expectations. This was notoriously the case for both _ No Man’s Sky _ and _ Sea of Thieves
Calling Red Dead Redemption Grand Theft Equine is a dumb joke, even by my standards, but the GTA influence is as visible as the scars on John’s face. The game is played in a large open world map that spans part of Mexico and part of the western American frontier, divided into three regions that are unlocked as the story progresses. John’s actions can influence his fame and honor which have an impact on how townspeople react to him. Helping innocent people fight off bandits may improve his reputation but gunning down those same innocent townsfolk will have the opposite effect. Like GTA titles there is a wanted system, where if John decides to commit crimes he can attract the attention of the law and depending on how far he wants to take it this may escalate into military involvement. John can surrender to the law men, kill them all or simply high tail it out of there until the heat dies down. The problem with the last two options is the law might give up on John but that just means they’ve decided to send a bounty hunter after him so they don’t have to deal with him themselves.
As a modern Western in the vein of recent classics like 3:10 to Yuma , The Proposition takes the essential elements of the Western genre and invigorates it with more contemporary filmmaking techniques and some particularly striking violence that pulls you into the experience. Aside from those similarities though, the mood and atmosphere that The Proposition captures feels very much in line with the way that Rockstar depicts its Western open-world in the Red Dead games, and that feeling will only be expanded with the ways that Red Dead Redemption 2 (so far) seems to be delivering an even more striking and dynamic world to explore.
Don’t be deceived by the number at the end of the title, Red Dead Redemption 2 is a direct prequel to its predecessor. The story takes place years before our last adventure as we follow Arthur Morgan and the Van der Linde gang. If you recognize the latter name, it was the group of outlaws that John Marston rode with back in the day. As you can expect, you’ll see our loveable Marston often, who is perfectly implemented into the story. It’s not too much fan service or focus, but just enough so he’s a solid supporting role, especially in the later half of the campaign. He has his own arc, but it’s all about Arthur and his issues. The first couple of chapters in the story, Arthur is an unlikable individual. It takes him a little while to find his footing as he’s an overly serious character who never breaks a smile and plays the rough cowboy to a T. His relationship with the group, including the gang’s leader, Dutch van der Linde, Pronghorn Ranch Debate is what stands out among everything else. It’s the little things around the camp; the songs, the gestures and the interactions that expand our protagonist’s likability, and you begin to better understand him. Even the most insignificant faces seem to bring out the more positive aspects out of Arthur more than the main story ever does, and it’s sad that it’s something players can completely overlook, especially considering entering the camp setting forces the player to move at a snail’s pace.